Technology as a whole must become the technology of art. And the state must become the museum of its population. Just as the museum’s administration is responsible not only for the general holdings of the museum’s collection but also for the intact state of every given work of art, ensuring that the individual artworks are conserved and restored when they show signs of decay, the state should bear responsibility for the resurrection and continued life of every individual person.
(Groĭs, Boris (2018). Russian cosmism. Cambridge, MA: EFlux-MIT Press)
(Groĭs, Boris (2018). Russian cosmism. Cambridge, MA: EFlux-MIT Press)
2-2-10, Higashi Nihonbashi, Chuo, Tokyo, Japan