‘The unmasking turn of mind’’ does
not try to refute ideas, but to harm them by exhibiting their ‘‘extratheoretical function.’ (HACKING, IAN. The Social Construction of What? Harvard University Press, 1999.)
The title of this exhibition, "archetype," and the atoms used as motifs are not about their original universal roles.
In the process of painting composition, he seems to affirm the dynamic and perverse nature of the "archetype" by starting from the inversion of power relations in the painting.
The title of this exhibition, "archetype," and the atoms used as motifs are not about their original universal roles.
In the process of painting composition, he seems to affirm the dynamic and perverse nature of the "archetype" by starting from the inversion of power relations in the painting.
2-2-10, Higashi Nihonbashi, Chuo, Tokyo, Japan