Exhibition description
 The purpose of this exhibition includes a statement of the gallery's attitude of returning attention to the objects itself In the past 100 years, conceptualism, which is seen in the over-emphasis on context, has dominated the art world, and while there has been a return to craftsmanship and a slavish adherence to capitalist dynamics, as represented by the maestros, its influence is still being prolonged and perpetuated like a zombie or a Frankenstein.
(2023, Ritsuki Fujisaki)

CV
Taka Kono
YAMAMOTO Kazuma
YAMAMOTO Layla
YAMAMOTO Shohei

Other reference
Exhibition text by IIMORI Motoaki
“Welcome to the Insane Space Mastered by Weird Object” 
https://drive.google.com/file/d/1vHWTueH-fj-xsPyqxy-jj47YGvQudjgY/view?usp=drive_link




installation view #1




(Left)
YAMAMOTO Layla
“birthday(red)”
2017
Acrylic paints on canvas
410x318 (mm)

(Right)
YAMAMOTO Layla
“birthday(blue)”
2017
Acrylic paints on canvas
410x318 (mm)




YAMAMOTO Layla
“The Long Peace”
2023
Styrofoam, cake of sugarcraft, acrylic box, acrylic paints, acrylic spray
300x300x300 (mm)




YAMAMOTO Layla
“Alice in Atomland I”
2023
Gesso, acrylic paints, UV printing on wooden board
273x190 (mm)




YAMAMOTO Layla
“Alice in Atomland II”
2023
Gesso, acrylic paints, gloss gel medium, transferred photo
273x220 (mm)




installation view #2




YAMAMOTO Kazuma
“Heksenzalf”
2023
Inkjet print on paper, lamination, framed
841x594 (mm)




Works by YAMAMOTO Kazuma




YAMAMOTO Shohei
“reiterate -lines- I~III”
2023
Acrylic on canvas
910x727 (mm)




YAMAMOTO Shohei
“reiterate -lines- I”
2023
Acrylic on canvas
910x727 (mm)




installation view #3




Works by Taka Kono




Taka Kono
“Diving (I)”
2023
LCV and Blood on canvas
652x530 (mm)





Taka Kono
“Diving (II)”
2023
LCV and Blood on canvas
910x727 (mm)